ASQ LIVEASQ ON DEMANDAUSTRALIAN ANTHOLOGY
ABOUTDale Barltrop / violinFrancesca Hiew / violinChristopher Cartlidge / violaMichael Dahlenburg / celloInstrumentsManagementPatron and Board
SUPPORTDonateOur DonorsOur Corporate PartnersBequests
Home / Australian Anthology
I. WebII. EpigraphIII. AnonIV. Incandescence
Commissioned for the Australian String Quartet by the Elder Conservatorium of Music with support of the John Bishop Memorial Commission
Winner: Australian Art Music Awards for Work of the Year: Chamber Music (2021)First prize: Albert H Maggs Composition Award (2021)
Performed by the Australian String QuartetDale Barltrop – Violin IFrancesca Hiew – Violin IIStephen King – ViolaSharon Grigoryan – Cello
Composed by Anne CawrseProduced and Mastered by Jakub GaudasinskiEngineered by Tom HenryRecorded at ABC Studio Adelaide, October 2020Angelina Zucco – ASQ Chief ExecutiveSophie Emery – ASQ Operations ManagerArtwork – Jim Tsinganos IllustrationArt Direction – Cul-de-Sac Creative
Special thanks to Anne Cawrse for her valued support of this release
A Room of Her Own is my essay and personal reflection upon the requirements for prosperous creativity. In it, I explore the delicate balance between the realm of the creator and the work being created, taking inspiration from quotes gathered from Virginia Woolf’s seminal text ‘A Room of One’s Own’.
The work is in four movements, played attacca (without pause):
I. Web“…imaginative work (is) like a spider’s web, attached ever so lightly perhaps, but still attached to life at all four corners.”
III. Anon“I would venture to guess that Anon… was often a woman.”
IV. Incandescence“The mind of an artist, in order to achieve the prodigious effort of freeing whole and entire the work that is in (her), must be incandescent…. There must be no obstacle in it.”
The music opens with Web, a fragile meditation performed by solo cello, accompanied by an off-stage ‘choir’ of bowed crotales. In Epigraph, the off-stage performers return and introduce us to musical themes by composers Margaret Sutherland, Clara Schumann and Rebecca Clarke. These themes then become the primary musical material for Anon, an aggressive and hostile, but occasionally tender homage to forgotten voices of the musical canon. A poignant viola solo announces Incandescence: a hymn to self-awareness, acceptance, and vulnerability.
Further details can be found at www.annecawrse.com/blog
Anne Cawrse completed a PhD in Composition at the Elder Conservatorium of Music, University of Adelaide in 2008. She is highly sought after as an orchestral and chamber music composer, with commissions from the Adelaide Symphony Orchestra, Melbourne Symphony Orchestra, Australian String Quartet, Plexus Ensemble, Various People Inc, Zephyr Quartet, and the Adelaide Wind Orchestra.
Cawrse is also a highly revered art song and choral composer, and is the most commissioned composer of the award winning Adelaide Chamber Singers. Her first opera, Innocence, was developed with Singular Productions and the State Opera Company of South Australia. She has twice been a finalist in the APRA/Australian Music Centre Classical Music Awards, winning the State award in 2018.
The Australian String Quartet acknowledge the Traditional Custodians and Owners of the lands on which we work and live across Australia. We pay our respects to Elders of the past, present and emerging. We recognise and respect their cultural heritage, beliefs and relationship with the land and their continued living culture.
© Australian String Quartet, 2022. All Rights ReservedWebsite by I-Nex. Brand design by Cul-de-sac Creative
Contact usTelephone 1800 040 44461 8 8313 3748 if outside of AustraliaFax 61 8 8313 4389Email [email protected]
SUPPORTDonateOur DonorsBequestsOur Corporate Partners